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Vous avez sélectionné:
Homage to Frédéric Chopin
Partitions à imprimer
6 partitions trouvées
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Homage to Frédéric Chopin
Homage to Frédéric Chopin
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Piano seul
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INTERMÉDIAIRE
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William Haviland
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William Haviland
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Homage to Frédér
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William Haviland
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1240572 By William Haviland. By William Haviland. Arranged by William Haviland. Classical,Contemporary,Folk,New Age. Scor...
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Piano Solo - Level 3 - SKU: A0.1240572 By William Haviland. By William Haviland. Arranged by William Haviland. Classical,Contemporary,Folk,New Age. Score. 2 pages. William Haviland #835956. Published by William Haviland (A0.1240572). I'm beginning a series of compositions, inspired by classic works of our greatest composers. This piece of melancholy is written out of respect for Frédéric Chopin, and is loosely based on his Prelude in E Minor [Op.28, No.4].
$5.99 ≈
5.59€
Homage to Frederic Chopin by William Haviland - Piano Solo
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Piano seul
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William Haviland
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Homage to Frederic Chopin
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Musicnotes
Sheet Music for Homage to Frederic Chopin by William Haviland arranged for Instrumental Solo in E Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Homage to Frederic Chopin by William Haviland arranged for Instrumental Solo in E Minor. Digital sheet music from Musicnotes.
$3.99 ≈
3.72€
Chopin: Nocturne, Opus 9, No. 2 for Woodwind Quintet
Chopin: Nocturne, Opus 9, No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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moving the theme around betwee
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Frederic Chopin
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Darrell Goforth
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Chopin: Nocturne, Opus 9, No.
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Darrell Harrison Goforth
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.747409 Composed by Frederic Chopin. Arranged by Darrell Goforth. Romantic Period,Sta...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.747409 Composed by Frederic Chopin. Arranged by Darrell Goforth. Romantic Period,Standards. Score and parts. 13 pages. Darrell Harrison Goforth #2967911. Published by Darrell Harrison Goforth (A0.747409). This iconic piece was to be the third in an homage to the movie Bad Santa. The other pieces being Shostakovitch' Waltz #2 and Tchaikovsky's Sleeping Beauty Waltz. I find, though that it stands on its own quite well. By moving the theme around between the various instruments, an entirely new perspective is given to the piece.Comments and suggestions are always welcome at: dgoforth2@comcast.netLike me on Facebook at https://www.facebook.com/goforthmusic/and visit me on YouTube at https://www.youtube.com/user/dgoforth2
$19.99 ≈
18.66€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instruct...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.86€
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Roma...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99 ≈
1.86€
The Garden at Night
The Garden at Night
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Piano seul
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INTERMÉDIAIRE
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Donald Ashwander
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The Garden at Night
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1378479 Composed by Donald Ashwander. Classical,Ragtime. Score. 9 pages. The Donald Ashwander Estate #963100. Published b...
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Piano Solo - Level 3 - SKU: A0.1378479 Composed by Donald Ashwander. Classical,Ragtime. Score. 9 pages. The Donald Ashwander Estate #963100. Published by The Donald Ashwander Estate (A0.1378479). Donald Ashwander's solo piano composition, The Garden at Night, is a hauntingly beautiful waltz that conjures images of moonlit gardens, where shadows dance among the flowers and the air is filled with a sense of mystery. The composition invites the listener to become a wanderer in this nocturnal oasis, where each note is a step into the unknown and every pause is filled with anticipation.The pianist is invited to explore the depths of emotion that lie within the composition, embracing the shadows and nuances that give The Garden at Night its distinctive character. The beauty of the piece lies not only in its melodic grace but also in the subtle tension that underlies its enchanting surface.At times, The Garden at Night pays homage to the romantic spirit of Frederic Chopin's compositions. Ashwander skillfully incorporates elements reminiscent of Chopin's waltzes, creating moments of yearning that echo the emotional landscapes of the great Romantic era. This nod to Chopin adds a layer of classical elegance to the piece, bridging the gap between the past and the present.
$5.99 ≈
5.59€
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Homage to Frédéric Chopin
